Program ’18 / Volksfronten

Michiel Vandevelde

Human LandscapesBook I (2018)

Performance
Michiel Vandevelde

Michiel Vandevelde, Human Landscapes—Book I, 2018, performance, steirischer herbst, photo: Liz Eve

Michiel Vandevelde
Michiel Vandevelde, Human Landscapes—Book I, 2018, performance, steirischer herbst, photo: Liz Eve
Michiel Vandevelde
Michiel Vandevelde, Human Landscapes—Book I, 2018, performance, steirischer herbst, photo: Liz Eve
Michiel Vandevelde, Human Landscapes—Book I
Michiel Vandevelde, Human Landscapes—Book I, 2018, performance, steirischer herbst, photo: Liz Eve
Michiel Vandevelde, Human Landscapes—Book I
Michiel Vandevelde, Human Landscapes—Book I, 2018, performance, steirischer herbst, photo: Liz Eve
Haydarpaşa Station, spring 2018. Photo: Michiel Vandevelde

Haydarpaşa Station, spring 2018. Photo: Michiel Vandevelde

“This guy in prison has written a different kind of epic. He’s stirring up something,” writes poet Nâzım Hikmet from a Turkish prison cell, reflecting ironically but sharply on his epic masterpiece Human Landscapes from My Country. In a new performance developed for steirischer herbst, Brussels-based choreographer, artist, and curator Michiel Vandevelde turns toward the dissident literary and political figure of Hikmet—a visionary modernist poet—to stage book I of Human Landscapes, his strikingly direct and ruthlessly honest account of mid-20th century Turkey, written between 1941 and 1950, and considered by many as “social history in verse.” Capturing myriad voices from different segments of society, Hikmet breaks out of the confinement of the modernist individualistic imagination toward the more epic, popular form of the “human landscape,” without losing the fragmented and tormented vision characteristic of modernist art. Vandevelde revisits Hikmet’s condensed and cinematic verse in what he calls a “choreographed sound piece.” In a darkened, intimate setting, five actors speak Hikmet’s text, but instead of performing the actions it describes, they engage in more abstract movements. Sitting, lying down, and changing positions, together with the audience they themselves become a “human landscape,” exploring Hikmet’s conviction that human beings always have the capacity to forge their own path upwards by the sheer force of their own will.

22.9., 23.9., 24.9., 19:00
World premiere

Orpheum Extra
Orpheumgasse 8
8020 Graz

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Duration: ca. 90 min.*

In English with German and Turkish subtitles

Free with Festival Pass
Capacity limited, reservation recommended, reservation with Festival Pass
Single ticket 15/11 Euro

Commissioned by steirischer herbst

Produced by steirischer herbst and Disagree vzw

Text: Nâzım Hikmet, Human Landscapes from My Country, book I 
Direction, choreography, set: Michiel Vandevelde
Performers: Bryana Fritz, Stine Sampers, Anna Franziska Jäger, Mitch Van Landeghem, Lois Brochez
Dramaturgy: Kristof van Baarle
Costumes: Heide Vanderieck
Surtitles (German, Turkish): Handan Özbas-Uysal
International distribution: Something Great
Financial Management: Klein Verzet vzw

With the kind support of Flanders State of the Art


*Event without regular seating, floor pillows and blankets will be provided.

Michiel Vandevelde (1990, Leuven, Belgium) is a choreographer, curator, and writer. A common thread of political and artistic activism runs through his work, which straddles the intersection of choreography, discourse, and performance, both within (performing) arts institutions and beyond them. He lives in Brussels.

Related
Office of Open Questions
Education tour through five productions plus Michiel Vandevelde: Human LandscapesBook I
23.9., 16:00–19:00